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Skeleton Writing – The Bare Bones with Flavor

Have you ever seen a photo of a skeleton or seen one in person? I have and just like anthropologists, scientists and coroners, you can create a profile of your character from the bare bones with flavor. What does that … Continue reading

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The Interviews – Anatomy of a Short Film – Part III

Do you include interviews in your preparation to write a screenplay or book of any genre? I do but not all interviews are easy or easy to get. But I’m a big believer that one little stated tidbit, significant or … Continue reading

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The Option – Anatomy of a Short Film – Part II

What’s the best way to secure an option, especially for a true story? With patience and a vision that matches the essence of not only what you see but what the true character sees and wants to convey. Let’s first … Continue reading

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Passion Pitch

How many requests do you get for a script read from your pitches? I get a lot now. Why? Passion. It’s that simple if a producer, manager, agent or financier is looking for your genre. What is passion? It’s being … Continue reading

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Outline of The Jigsaw Puzzle

Do you outline your screenplay or story before writing it? I do but not always. I think outlining is an art unto itself and found it to be just like putting together the whole picture of a jigsaw puzzle. I … Continue reading

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Anatomy of a Short Film – Part I

Have you thought about writing, producing and/or directing a short film? I have and starting the project this week. With the current economical disasters, doing a short film is a fantastic venture to invest in, especially for those who want … Continue reading

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Motivations vs. Traits

Do you know what your character’s motivation is and what combined traits are attached to convincingly have the character reach his/her goal? Hope so. If not, there’s no character arc, sensible action or reason for an audience or reader to … Continue reading

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Listen To Your Words

Do you ever read your words aloud with a group? I do. It’s essential whether it is a book or screenplay. Why? You’ll hear everything good and bad in your work: pacing, dialogue rhythm, wordiness and you’ll get great feedback … Continue reading

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Logline Fogline

Isn’t it hilarious when writers complain about putting their stories they’ve spent at least a year on into a single sentence that’s supposed sell it? I think so and I’m one of those writers. Sometimes I feel I spend more … Continue reading

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Feedback Redux

Have you ever received conflicting feedback on your script or book? I have. One loves your characters. Another doesn’t. One finds it convoluted. Another doesn’t. Drives you crazy, right? So, what to do? I have never received consistent feedback on … Continue reading

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